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Quetzal performs “Todo lo que tengo (All that I have)”:

No matter what dream I had last night, this song kept playing in the background. The Brunette thinks it might have something to do with the Pandora stations I created like Summer Oldies, 60’s Radio, Red Rubber Radio, Bob Dylan, CSN&Y, The Box Tops Radio, etc.

You may get old – but the music never does. Enjoy the day!

From their upcoming new album, Amar y Vivir (Love and Live):

via NPR’s review:

The Grammy-winning Mexican-American roots band La Santa Cecilia journeys into the heart of Mexico for what might be its greatest adventure yet: recording a gorgeous new visual album, Amar Y Vivir. Ditching the studio to record at 12 different locations in and around Mexico City, the band captures the spirit of the music in its natural habitat. Its members pay tribute to Mexican culture with the traditional sounds of boleros and rancheras, while subtly blending their American influences into the songs.

In the album’s title track, vocalist La Marisoul (Marisol Hernandez) puts listeners into a romantic trance with her slow-tempo interpretation of a timeless bolero. While it has been covered by many Latin artists, she makes this love song her own with her deep, alto voice and certain personal touches, like the hint of a raspy growl at the end of the first stanza and a bluesy finish.

Where I first heard them…KCET Online/Artbound Studio A…Marisol is magnificent! Enjoy!

Quetzal began in 1993 in a Chicano owned cafe, Troy cafe, in the Little Tokyo neighborhood of Los Angeles…the band was founded by Quetzal Flores, with the intention of pushing the boundaries of Chicano music and is currently one of Los Angeles’ most important and successful groups. They play a mix of Mexican and Afro-Cuban rhythms, jazz, rhythm and blues, and rock music, supercharged by the dynamic vocals of lead singer and composer Martha Gonzalez. Their commitment to using art as a tool for social change is informed and inspired by global grassroots movements…Martha Gonzalez who was born and raised in East Los Angeles joined the group shortly after it was formed. Gonzalez grew up singing and learning the sentiment of Mexican music with her two siblings. Encouraged by their father, the youthful trio sang with mariachi ensembles in the greater Los Angeles area. Gonzalez completed her PhD in the Department of Gender, Women, and Sexuality Studies at the University of Washington and as an undergraduate studied drumming and dance of Ghana and Cuba at UCLA.

More here

One important identity that Ms. Letissier’s Christine wears is that of a dancer. As she sings, Ms. Letissier gets inside her music, punctuating the beat with a silken authority or sliding her body between notes to give her songs an unusual kind of energy. She isn’t dancing to the music; she is the music.

“Movement never lies,” Martha Graham liked to say, and Ms. Letissier’s use of dance in her videos and stage performances brings her closer to the essence of Christine. “When you dance, you own everything you have,” Ms. Letissier said. “You are really in your own body. You do it with your muscles and your bones and your weight and your height — it’s how to love yourself by moving.”

– from Christine, A Pop Star Who Sings With Her Muscles, NYT, 10/5/2016

letissier-photoHéloïse Letissier, the French pop singer-songwriter behind
Christine and the Queens.
Photo by Jeff Hahn

Video here – or click on photo above…

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Rain, rain, rain today…

Video by Michel Gondry…full lyrics here (separate window)…

chance encounter_lewis_2Chance Encounter
Martin Lewis,1940

Comb your hair, pleads your face
Try to wipe out every trace
Of all the other days in the week
You know this’ll be the Saturday reachin’ your peak

Stop on the red, goin’ on the green
Tonight’ll be like nothin’, you’ve ever seen
Barrelin’ down the boulevard
Looking for the heart of Saturday night

Is it the crack of the poolballs, neon buzzin’?
Telephone’s ringing, it’s your second cousin
The barmaid that’s smilin’ from the corner of her eye
The magic of the melancholy tear in your eye

– Tom Waits, Looking For The Heart Of Saturday Night
[video/audio here]

From the 2014 film, Whiplash:

An obsessed and driven student. An obsessed and driven teacher. And jazz.

Watch what comes before, then this pivotal scene, then the hypnotic rollout at the end…

Watch it more than once. Then ask yourself that question…where is that line?

 

…let’s play it…wait for that solo around the 3:00 mark…

Are we supposed to be our brother’s keeper
Are we supposed to hear him when he calls

Are we supposed to be our brother’s keeper
Are we supposed to hear him when he calls

Are we supposed to catch him
Are we supposed to catch him when he falls

Jesus said to feed the hungry
Jesus he said to help the poor

Jesus said to feed the hungry
Jesus he said to help the poor

So many of today’s so called christians
See, they don’t believe in that no more

I believe we supposed to be our brother’s keeper
I believe we supposed to hear him when he calls

I believe we supposed to be our brother’s keeper
To hear him when he calls

I believe we supposed to catch him
I believe we supposed to catch him when he falls

I picked up on Walter Trout when I plugged Gary Moore’s name into my Pandora channels. Some kinda workout music this is – no doubt the young’uns in the gym got a kick out of the old man on the treadmill doing some serious air guitar.

The video comes thru Don Odell’s cable studio show – you can read a bit more about it here…and you can pick up more of his channel here

The Brunette wandered in while I was listening this morning…I asked her if she ever heard of Walter Trout. Or course she did. I am so unworthy…

ringo-starr_1962_004Ringo Starr, Liverpool, 1962
[via The Beatles Bible…photo original source unfound]

Nik Cohn writes about the Beatles with a few notes about Ringo:

Big-nosed and dogeyed, he had a look of perpetual bewilderment and said hardly anything: “I haven’t got a smiling mouth or a talking face.” He only bumbled, came on like some pop Harry Langdon and women in millions ached to mother him. In fairness, it has to be said that this was not his fault—he looked that way by nature and couldn’t change.

Every now and then, out of deep silence, he’d emerge with some really classic line. No verbal gymnastics like Lennon, not even a joke—just one flat line, so mumbled and understated as to be almost non-existent.

Really, he summarizes everything that’s best in the English character—stability, tolerance, lack of pretension, humour, a certain built-in cool.

Post-Pax day – I just re-watched part of the 50th anniversary special pointing back to the Ed Sullivan hour that launched The Beatles here in the USA. What has always amazed me is how their music changed – and no matter how many years and decades have passed, how enjoyable it still is.

Sadly,with both George and John gone, only Ringo and Paul were there. The only family that I could clearly identify was Yoko and son Sean. Julian was off in Kenya from what I understand on a humanitarian trip. Didn’t help that there’s been no decrease in the tension between Cynthia Lennon, Julian and Yoko, Sean. Dhani Harrison was there – to look at him is to see George.

Worth seeing again…

What will you be watching this weekend?

© Bill Israel

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